By Joanna Zylinska
The Cyborg Experiments analyzes the demanding situations posed to corporeality through techology. Taking as their place to begin the paintings of the hugely influential functionality artists Orlan and Stelarc, the essays during this well timed and demanding assortment elevate a couple of questions in terms of new conceptions of embodiment, id and otherness within the age of latest applied sciences: Has the physique turn into out of date? Does transgender problem conventional principles of business enterprise? Have we continually been cyborgs?In addition to highlighting the playful personality of electronic aesthetics, the individuals examine moral matters about the possession of bodies and the experiments we practice on them. during this means the booklet explores how humanism, and concepts of "the human", were put below expanding scrutiny due to new advancements in technological know-how, media and communications.Contributors:John Appleby, Rachel Armstrong, Fred Botting, Julie Clarke, Gary corridor, Chris Hables grey, Meredith Jones, Orlan, Mark Poster, Jay Prosser, E. A. Scheer, Zod Sofia, Stelarc, Scott Wilson, Joanna Zylinska>
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Additional info for The cyborg experiments: the extensions of the body in the media age
Take, for example, the Internet. The telephone network was in part appropriated by the US Defense Department for advanced research projects by connecting computers to it with protocols that assured a decentralized structure. Any individual or group could 26 HIGH-TECH FRANKENSTEIN communicate through text with any other individual or group. e. role-playing games). Physicists in Switzerland added graphics and, later, sound and moving images. These enhancements enabled the further dimensions of hypertext, hypermedia and virtual reality.
Trans. Ralph Manheim. New York: Anchor, 1959 (1953). 3' MARK POSTER Heidegger, Martin. The Question Concerning Technology and Other Essays. Trans. William Lovitt. New York: Harper & Row, 1977. Johnson, Mark. The Body in the Mind: The Bodily Basis of Meaning, Imagination, and Reason. Chicago: University of Chicago Press, 1987. Stelarc. 'From psycho-body to cyber-systems: images as post-human entities'. In Virtual Futures: Cyberotics, Technology' and Post-human Pragmatism. Eds Joan Broadhurst Dixon and Eric J.
Stanford, CA: Stanford University Press, 1995. Wiener, Norbert. The Human Use of Human Beings: Cybernetics and Society. New York: Doubleday, 1950. Zimmerman, Michael. Heidegger's Confrontation with Modernity: Technology, Politics, and Art. Bloomington: Indiana University Press, 1990. 32 CHAPTER 2 The Human/Not Human in the Work of Orlan and Stelarc JULIE CLARKE This chapter attempts to trace the human /not human in particular aspects of the work of the performance artists Orlan and Stelarc. I will refer to Dr Frankenstein's monster, plastinated bodies, prosthetics and insects as examples of a transitional state of being that currently marks the human body.