Hank Williams: Snapshots From the Lost Highway by Colin Escott

By Colin Escott

From Publishers Weekly whilst Hank Williams died within the backseat of a automobile at age 29, he left at the back of grieving lovers, family and friends, in addition to 8 weapons, 8 pairs of shoes, eleven hats and a saddle. Hank Williams: Snapshots from the misplaced road via Colin Escott and Kira Florita gathers jointly as regards to each final piece of paper having something do to with state music's maximum and so much tragic big name (hence the postmortem inventory). a lot of the fabric is new: integrated during this quantity are the handwritten lyrics to 30 songs by no means recorded or released, inner most relatives correspondence and a few a hundred and fifty formerly unpublished pictures, together with Hank's first child photograph. Copyright 2001 Cahners enterprise info, Inc. From Library magazine even if he by no means made it to 30 and died approximately a half-century in the past, singer/songwriter Hank Williams maintains to exert super effect on all spheres of renowned song. the rustic crooner additionally maintains to ask biographical remedy. In 1998, tune historian Escott (Hank Williams: A Biography) and Florita, former marketer of the Hank Williams catalog for Mercury files Nashville, produced the Grammy-winning, ten-CD set the total Hank Williams. whereas engaged on that venture, they gathered an immense variety of pictures, files, and released and unpublished tune lyrics. That iconography varieties the foundation of Hank Williams: Snapshots from the misplaced road, an beautiful coffee-table e-book that's being cross-promoted with the tribute album, undying. Composed of captions via the authors and excerpts of interviews with Williams and his friends and family, the textual content is a little sparse yet to the purpose and good written. Rick Bragg additionally contributes a sublime foreword. Koon's Hank Williams, So Lonesome used to be first released as Hank Williams: A Bio-Bibliography (Greenwood, 1993). This moment take positive factors accelerated biographical insurance and demanding discussions of Williams's songs. additionally major are the author's makes an attempt to split the evidence of Williams's existence and paintings from the mythology of the musician and his considerate review of resources. In taking out the reference-book features of the sooner Greenwood quantity, Koons has made an important contribution to Williams literature for enthusiasts and students. As a couple, those books approximately completely supplement one another, yet, regrettably, neither features a discography. furthermore, the Escott and Florita quantity lacks a bibliography (perfectly appropriate for a piece of this kind), and the Koons booklet includes just a scaled-back one. regardless of those shortcomings, either books steer clear of sensationalizing their complicated topic and are hugely advised for public libraries and educational libraries with a favored tradition concentration. James E. Perone, Mount Union Coll., Alliance, OH Copyright 2001 Reed company details, Inc.

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Extra info for Hank Williams: Snapshots From the Lost Highway

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Hormel didn’t allow riders, but Braxton told his boss that Hank was his little brother. Hank, said Braxton, wouldn’t lift more than approximately ten pounds. ” became a national catchphrase, and perhaps that’s how Smith Adair became Hezzy. Originally from Birmingham, he moved to Montgomery from Sylacauga when he was sixteen. Braxton met him one morning when he was coming back from the station. Hezzy was walking down Bell Street playing his harmonica. ’” remembered Braxton, “and he said, ‘Hell yes, I can play with a guitar,’ so I said he should come up to the house and we’d play some.

Because Payne was rarely found without a home-brewed mix of alcohol and tea, Payne’s nickname was “Tee-Tot,” a pun on teetotaler. Details about him are not only sketchy, but contradictory as well. According to researcher Alice Harp, Rufus was born in 1884 on the Payne Plantation in Sandy Ridge, Lowndes County, Alabama. His parents had been slaves there, but they moved to New Orleans around 1890, giving Rufus a front-row seat for the birth of jazz. After his parents died, Rufus settled in Greenville, Alabama.

Both showed Hank the rudiments of hoe-down fiddling and some major chords on the guitar. Late in life, Hank would play the fiddle only when he was in his cups, but throughout his early career he was a half-proficient hoedown fiddler. Where and when he got his first guitar has long been a matter of conjecture; he could have lined a wall with all the first guitars people claimed to have given him. Talking to Ralph Gleason, though, Hank said the first one came from his mother when he was eight, which more or less backs up what Lilly always said.

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