By Rogerio Miranda De Almeida
Translated from the French, this publication analyzes the paradoxes that essentially signify Nietzsche's philosophy and texts.
From the again Cover
Newly translated into English, this ebook analyzes the paradoxical discourse that flows via and essentially characterizes Nietzsche's writings. studying Nietzsche's The beginning of Tragedy; Human, All Too Human; past strong and Evil; at the family tree of Morals; and The Antichrist; Rogario Miranda de Almeida patiently opens those texts to the multiplicity of truths that spread during the means of non-stop reinterpretation and reevaluation. by no means officially defining the contradictions inside Nietzsche's notion of metaphysics, faith, paintings, technology, and philosophy, Miranda de Almeida recognizes as a substitute that the heritage of concept, and the advance of Nietzsche's writings specifically, is an interaction of forces and drives, encroachment and give up, building and destruction, overcoming and transformation, lack and achievement, delight and dissatisfaction, excitement and displeasure, discomfort and enjoyment. This e-book finds the unending views and truths that Nietzsche creates and transforms.
"Drawing at the large culture of the `French Nietzsche,' this ebook deals a wealthy tapestry of reflections at the multiplicities nonetheless to be mined in Nietzsche's suggestion, together with the aesthetics of paintings and visual appeal, on lady and dissimulation, in addition to morality, faith, and, in fact, paradox." -- Babette E. Babich, writer of phrases in Blood, Like vegetation: Philosophy and Poetry, track and Eros in Halderlin, Nietzsche, and Heidegger
"From texts sooner than The start of Tragedy throughout the ultimate works of 1888, Miranda de Almeida dramatically attracts out the tensions, torsions, and the dynamics of Nietzsche's theoretical improvement. In remarkably transparent phrases, he explains how, for Nietzsche, the complete subsoil of ideas and values are orchestrated through drives and needs--whether they be fictive or real--and indicates how this ends up in the original personality of his ever-changing appreciation of the cultural symbolic." -- David B. Allison, writer of interpreting the hot Nietzsche: The beginning of Tragedy, The homosexual technology, hence Spoke Zarathustra, and at the family tree of Morals
About the Author
Rogerio Miranda de Almeida is Professor of Philosophy at Saint Anselmo university and traveling Professor of Theology on the Gregorian college and of Philosophy at Beda university, all in Rome, Italy. he's the writer of Nietzsche e Freud: Eterno Retorno e Compulseo a Repetilo. Mark S. Roberts has translated and coedited a number of books, together with (with Anna Alexander) excessive tradition: Reflections on habit and Modernity, additionally released via SUNY Press.